So, the aspiration is an ontological habor taken the form of a female, tamed, giving timelessly unconditional trust and intimacy just like the animals stored in the museum. 'He understood there is no way to escape time', or to say, there is no way to escape modernity into unadulterated, childish sphere of domesticity and intimacy. Since the childhood, the death of escaped prisoner has been a haunting nightmare of ours.
法国1962年左岸派代表人物之一Chris Marker执导。
30分钟的黑白电影,几乎全部由静止的画面组成。没有对话,只有旁白。
像是在看记录片,still images, granny pictures
又是关于memory的故事。记忆和影像。
堤:1962推荐,关于图像的意识
转载请注明网址: https://m.aiyingyu.net/aimeiju/haokan-19501.html